|

|
EYCK, Jan van
Flemish Northern Renaissance Painter, ca.1395-1441
Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Related Paintings of EYCK, Jan van :. | The Donor's Wife (detail) | Portrait of Giovanni Arnolfini and his Wife (detail) yui | Suckling Madonna Enthroned ss | Arched Window with a View | Adoration of the Lamb (detail) | Related Artists: Fra BartolommeoItalian c1474-c1517
Fra Bartolommeo Location
Italian painter and draughtsman. Vasari and later historians agree that Fra Bartolommeo was an essential force in the formation and growth of the High Renaissance. He was the first painter in Florence to understand Leonardo da Vincis painterly and compositional procedures. Later he created a synthesis between Leonardos tonal painting and Venetian luminosity of colour. Equally important were his inventions for depicting divinity as a supernatural force, and his type of sacra conversazione in which the saints are made to witness and react to a biblical event occurring before their eyes, rather than standing in devout contemplation, as was conventional before. His drawings, too, are exceptional both for their abundance and for their level of inventiveness. Many artists came under his influence: Albertinelli, Raphael, Andrea del Sarto, Titian, Correggio, Beccafumi, Pontormo and Rosso Fiorentino. Emma SandysEmma Sandys (born Mary Ann Emma Sands) (1843 - 1877) was a 19th-century English painter.
Sandys was born in Norwich, England in 1843. She was taught by her father, Anthony Sands, and worked in portraits in both oil and chalk, often in medieval or period dress. Her earliest dated painting is marked 1863 and she exhibited her works in both London and Norwich between 1867 and 1874.
Sandys did most of her work around Norwich but may have spent time in the studio of her brother, Frederick Sandys, in London.
She died Norwich in November 1877. Josehp Bruggemannpainted Vista do Desterro in 1867
|
|
|
|
|
|
|
|